Holly Bass is a writer, performer and director. Her most recent body of work explores the endless allure of booty – from the Venus Hottentots to video vixens. A Cave Canem fellow, her poems have appeared in Callaloo, nocturnes (re)view, Beltway, Role Call (Third World Press) and The Ringing Ear, an anthology of Black Southern poetry. Her pieces have been workshopped and presented at respected regional theaters and performance spaces such as the Kennedy Center, Arena Stage, the Whitney Museum and the Experience Music Project in Seattle. She is the Cullen Poet-in-Residence for Busboys & Poets (DC) where she coordinates open mic nights and writing workshops for the public. She studied modern dance (under Viola Farber) and creative writing at Sarah Lawrence College before earning a Master's in Journalism from Columbia University. She was the first journalist to put the term "hip hop theater" into print in a 1999 American Theatre article. She was a founding member of DC WritersCorps and continues to work as a teaching artist in schools, colleges and community centers. She has received numerous grants from the DC Arts Commission and was one of twenty artists nationwide to receive 2008 Future Aesthetics grant from the Ford Foundation/Hip Hop Theater Festival.